Dhurandhar knows exactly what genre it belongs to and refuses to apologise for it. The concept is sharp, the undertone consistently unsettling, and the performances across the board are strong enough to carry the narrative’s weight. The female lead’s youth adds an uncomfortable layer, making the stakes feel sharper rather than sentimental. Also, let’s acknowledge the obvious: men with longer hair look 'fine'. It works visually, thematically, and quietly feeds into the menace the film thrives on.Also, the way movie played was so nice that for a moment I felt betrayed on behalf of Rehman Dakait, Akshay Khanna, and his acting as well as the narrative staged, played was so nicely done but the way my heart skipped a beat for a moment, then i remembered it was necessary for the "PLOT". The film surely knows when to pull you in and when to snap you back. As for the violence, this is a spy film. It’s functional, necessary, and baked into the underlying idea. Expecting restraint here would be like ordering fire and complaining about the heat. Violence isn’t a flaw in this movie but, it’s kinda like the job description. Dhurandhar delivers exactly what it promises: tension, control, and an unease that lingers well past the credit rolls. The anticipation for the next part is real, not only because the film now owes us a convincing justification of the age gap, but other factors as well, like the backstory of the lead role,there’s clearly more to uncover. For now, the excitement and anticipation is there.