The entire song is hauntingly beautiful, but these lines stick with you once you realise how much of it is tied to the clay pot as a metaphor. The metaphor, the story behind the song, and then these lines that feel like they’re spoken from the clay pot’s side of the tragedy, and the very next part contains “yaar nu milegi aaj laash yaar di”. Oh my god, the way my heart broke at that. And the clay pot metaphor starts feeling uncomfortably human too,both human life and the clay pot have this mere existence but an enlarged vision of the self, like we keep believing we’ll make it across or we are bigger then we really are,i.e,dust within the vast expanse of cosmos.The clay pot is the reality check in the middle of that; it understands the reality of it all: “Kacchi meri miṭṭi kaccha mera naam ni Haan, main na-kaam ni. Kacchiyaan da hunda kaccha anjaam ni "Eh gal ′aam ni," like even the claypot carrying the hope knows how it ends. That whole almost-conversation between Sohni and the clay pot makes the doomed reality unbearable and something that sticks with you for a period long after the song ends. What is going to happen is known, to her and to the thing carrying her across, and still they both went with it, with their version of reality, the doomed knowledge the claypot held and the silent hope Sohni carried within herself.