Fun kills, a silly billy clip show of fun kills.

It's really like that sometimes.

I liked the no dialogue aspect.

I'm gonna stay away from MRI machines...

That was fucked up.

I couldn't help but feel bad for all of them. I will 1,000% give a pass to the pick me's of the past centuries. They literally needed to be the worst in the name of desirability and getting a man because their lives depended on it. Disney wishes they could go dark enough to do film versions like THIS for their villains.

I've always wanted horror movies where the vulnerable group is elders, how it can be similar to when it is children having to save themselves because the adults just won't listen and protect as they should.

The more clowns the better.

Let me go to Spotify for a second

Capitalist fascist bird-killers!

Visually stunning, but Shinji-

My Beauty and The Beast...my Lisa Frankenstein...my The Uninvited...

Scream franchise's secret Krabby Patty Formula got stolen I see.

If instead of following the source material truly you instead do a groundhog day'd Cabin In The Woods.

Might just be my favorite shark movie!

We making they/thems!

This is the first piece of art that I have engaged with that deals with an intersex person. I hope to see more like it. A lot of being put through hell and back, but with a triumphant ending. I love seeing Jersey landmarks as well.

A beautiful way to express grief and saying goodbye. I do feel like making them both young for that twist didn't work as well as intended however.

Lee Eddy acted her ass off. Oh, hey! My mom's name is Tabitha! Shout out to moms.

This was a visual treat. If only we could climb in each other's heads! It would make things so much easier - getting close, trusting...loving!

New horror villain icon!

Wow, look how much has changed. And yet, also not at all! Funny and visually a treat to the eyes.

I would love something longer with this kind of twist - where these 4 minutes was the beginning to a wild or meditative full-length film.

Love the cast, especially Ayo, but this was incredibly generic and forgettable.

Oh man, it's stuff like this that makes me feel so sappy. This was visually beautiful but so full of love!

Who knew women's wrongs could be so funny? And...pathetic?

I would like to actually see more stories centered around healing and survivorhood. I like how honest this all felt too.

I don't think I've ever seen such a violently predatory woman in fiction EVER.

Having an alien be a blank slate in discussions on caretaker burnout, disability and dying with dignity is a good choice. Taking emotions out of the conversation, what is the right choice?

Unfortunately for me felt very contrived and predictable. Rebecca's robot-ness also felt inconsistent - not in the actress's acting, but in the screenplay. There was nothing shown or explored that made the love feel believable, the montage did not help it. She did domestic duties and then in 5 days he fell madly in love...sure.

Cute and quirky look at being abducted, overthinking, and hopelessly down bad for a bar that is already in hell for women who want a man.

Connection! Love is the point! People and community is the point!

This short captured the horror and beauty of love in eighteen minutes

This is just a futuristic film on our current reality.

John Kenneth Muir's review of this movie nails it on the head. To add, this movie is the only movie I ever seen where the haunting and possession is told over shown for majority of its runtime. All the "action" - if you want to call it that - happens in the last act, but isn't worth it by then. The conclusion is as pathetic as the misogynistic characterization of the women. Young, old, dead or possessed - the women are weak, feeble-minded, insecure and hysterical loony bitches.

I wish this wasn't a short, but a full on feature film. AI trying to reach an afterlife to be with their deceased human lover? Now that is something ti really explore!

Good Afternoon, Good Evening and Goodnight!

What an interesting make-a-wish meets couples therapy situation they got going on.

I really was intrigued by the premise and severly disappointed that it was just a nearly half-hour ad filmed like a fashion commercial. It was as if a magazine's campaign spread was drawn out in video, nothing else.

So much heart in this. The acting was amazing.

Someone needs to Lynch it up and make a Twin Peaks around this type of small town bs!

I do really wish we were getting seasons instead over just a trilogy of movies. I love this anime all the same.

Okay, we're back in okay territory. Beats abysmal territory!

Yep.

This is a high 2.5 stars - almost 3!

This one had a really cool two-fer.

With each installment of this franchise, after Viral, the stories are getting better. I think this one has the most enjoyable segments out of all the previous. If Halloween isn't better than this for me then this is my fav of the franchise.

I think I liked Beyond more than this, but only by a hair. These last two are the best in the franchise.

Such a full, slow and richly disturbing film for such a short run time. It packed so much, so perfectly, and was a visual treat on top of it. Proper socialization could have saved her, and being social over so isolated could have also saved her mother to begin with.

My first Tubi original horror. Uhm... is this kind of grossness commonplace here? I did NOT prepare to see what I saw, I expected the "general audience" kind of safe-disturbing. Other than thr shocking sights, this was very by the numbers.

Shark boy and bomb girl.

Whether or not this sequel was necessary, this was a good sequel. I also would love more films dealing with unrested spirits and hauntings that show both the living and dad's perspective - especially with the Hell element.

We've all been officially Stuckmmanized. This felt like a short story, which isn't a bad thing. I like the exploration of incubi, and the dog motif. The mockumentary and found footage elements were also really cool.

This was.

Tom Wambsgans, Oliver Quick and now Matthew Morning...characters that act like groupie sychophantic leeches and opportunists to out-of-touch rich people to ascend over them and become a worse version of them. It skeeves me out every time. This was so well acted and went from cringey to horrifying.

I feel like the frame narrative and post-credit scene wasn't necessary and didn't add anything to the story, as well as the tone was a bit off at times during the inner story, but even with these little gripes I really enjoyed this. Both in premise and execution I had a good time.

Just as God intended indeed!

Dumbass Savannah. Dumbass deputy.

The agonizingly slow pacing made anything that was disturbing quickly forgotten.

This could be a start to a really good comedy series. Also, playing with time travel tourism and having it be centered around a very risky hook up? Love it!

That tonal shift hit like a gut punch. I couldn't imagine being in Ladle's position, trying to find a way to tell your little sister. I can understand why his didn't. This was so well acted, raw and human.

There are some illogical parts, but this was a really well done, fully fleshed out horror short. We got a solid beginning, middle and end. Our antagonist was very well done as well.

I'm scared too.

What beautiful stop motion and a quirky little love story.

I wish this went to a more surreal, absurd or even campy route to bring out the metaphor more.

Holy bleak. This was so gut wrenching. All that suffering, and then even more over a measly five thousand bucks.

The smile in the end was a bit of a jarring choice for me. How cruel is it that even when there is the numbers for good to rise up and prevail, we all shrink and watch instead?

Moths, symbolizing death, are so often used in horror in a predictable way. Moths being used as a protector and preserver of life is really beautiful.

Underwhelming for a movie, this could have definitely been a normal episode and gave us the same amount of information and story progression. The first third of the movie was just a recap of the Shibuya Incident, making my point even more.

The walking continuing through the credits really drove the horror of the concept home. Short, sweet and awful!

Is this the second movie, but better? And if I say so?

I like the ending reveal, Krampus is petty.

I forgot to watch this in 2025, how's the second day of 2026? Also, sad that this was damn near accurate to 2025 with loneliness and AI companion replacements. The very last second twist was cute too.

The children are not alright. The children will be alright. Both statements can be true, but for the latter to exist we must do right by our most vulnerable group. We give them the weight of the world in their most impressionable time and then deem them as either good boys and girls or little shits. We cannot be shocked of their actions when we leave them to the wayside.

What's Nefarious is I went in blind and stayed for a conservative Christian's edgy and cringe idea of a demonic possession horror flick. Damn near only dialogue, and it's the kind of talking I expect from teens getting into politics. It was very radlib atheist vs contrarian right wing troll who wants to debate. If the unborn fetus is a pure innocent soul of a baby, why the hell would it be in the altar of hell for demons?

Capitalism doing whatever it takes to extract every ounce of time, energy and labor from people, over-exploiting workers, but still needing the next workforce to be born and raised. It would make sense in a fucked up future to just strong arm employees into automating the family/child-rearing process so that you can pick up more hours and maintain the front of a work-life "balance". Scary stuff.

She sounded so cute when she was doing what she was doing.

I would become a villain.

Watching this right after finishing the last three episodes of (season one of) The Pitt... Goodness. We actually just live like this, huh?

Damn near perfect one to one faithful adaptation of the manga- all the way down to the snot.

The Ones Who DID NOT Walk Away from Omelas.

This is the best one yet. Also, Lord knows we need more Father Juds in the world. The end credits with the painted portraits were so lovely too.

Slow, uncomfortable and so very sad. That final scene and how it is shot was so beautifully heartbreaking.

Where Handling the Undead was slow and sad, this was medium-paced and triumphant in exploring the same angle of the dead coming back to life, and the grief those alive have to hold with that reality. We follow a journey that ends hopeful (where HtU was hopeless). We also get another baby dilemma like we saw in 28 Years Later.

If only what this movie is portraying that is actively happening on our real world could be wrapped up and resolved as easy as this movie does it.

I'm the only one who laughed when the chimp gave one of the girls a backhand. Honestly, the chimp-ripping-apart-everyone movie should have had more gore.

It handles its twist well, even though it can be guessed right at the very beginning by most.

Her last-second thinking really made all the difference. What felt like someone out of their depths was actually the best thing for that caller; he didn't just need any reason to keep going - he needed an actual human moment.

Moved it from 3.5 to a full 4 stars for going THERE with that final imagery. The comment section of this on YouTube was a litmus test for both the girls who thought Midsommar was a "good for her" film and the dudebros who see nothing wrong with the husband in this story "having a little fight with the wife".

The Bear: Nola edition

Manic pixie dream girl helps film bro in an unexpected way. I don't know how i feel about the twist.

I did not see that ending coming. The true crime enthusiast-like character was about to be a bit much for me, but everything came together nicely and the atmosphere was so tense.

"Because you closed the window" honestly gave me a chill.

Yes yes yes yes! This is what I want from a horror short!

Girl, why would you lift the screen up? Turn the projector OFF! (Not that it mattered)

How beautiful, being as resilient as a cockroach. How human.

The sisyphean task of dragging your own body and looking for the answer to life.

The camera work was absolutely great and everyone did a really good job acting their parts. However, this can absolutely be shaved down to 1 hour 30 max.

The 3D for this was good once they leave the office and get on the plane. Rachel McAdams and Dylan O'brien were stellar. This movie was so ridiculously funny. I was NOT rooting for women's wrongs this time around.

Fun time, but I think personally I didn't like the "they all did it" ending.

Oooh I quite liked the Dr. Kelson and Samson storyline so very, very much!

1. This movie was not anywhere near as horny as it thinks it is. 2. I haven't been so MAD at a couple since the parents in Speak No Evil. 3. The axe-chainsaw combo death made up for how predictable this movie was. Good gore!

This is one of those films where the premise is everything to me. It fills me with my own story ideas, but unlike other shorts, this nails its execution to the point where my imagination isn't better than what was given to me. I was not disappointed. There were some predictable moments, but that doesn't dampen anything.

This was incredibly well crafted and felt like a true 50s film, not just like someone made it black and white and had the actors used mid-Atlantic accents. The direction and use of camera was so accurate to the kind of films those decades ago. I'll always enjoy a nasty a-hole partner getting what's coming to them.

When people decide that they need to put blood, sweat and tears into their work to ascend - but it stops becoming theirs and starts becoming yours - we are all in trouble.

Innovative and does succeed in what it sets out to do. This was like if Courage had to deal with Eustace only, no Muriel and no ability to go bipedal with a weapon. Indy was a good boy - yes he was!